The Mayan Calendar And The End Of Time

The Mayan calendar became known to the general public in the late 80's when the teacher Jose Arguelles reinterpreted rescued and collective action seeking to give him momentum. It was what was called the "Harmonic Convergence" of 1987. Since then, there are few who have not heard of 2012 as the deadline for the end times. But are we really able to interpret correctly the "end times"? Many who have used the pull catastrophic, including Hollywood, of course, and have taken care very well that it is not.

Far to explain the complex system of cycles making up the Tzolkin, the name archaeologists have given this calendar at the beginning of the twentieth century and is well explained everywhere, let's focus on what I think is the fundamental question that is just, as is controversial and has not finished permeate the scholars. Precisely for this reason, and because, like it or not, is the idea of ​​this whole mess that part of the end times both morbid given, it seems fair to dedicate a space to the basic ideas of Professor Arguelles, guilty of airing all this movement, and which were reflected in his book The Mayan Factor in 1986.

The tzolkin part of a table of thirteen columns and twenty rows in the repeating sequence numbers 1 to 13, giving rise to 260 combinations. For Arguelles, this is more than a calendar of daily use, is a legacy left by the Mayan knowledge for posterity, a code that would give clues to know what is happening in the universe. The first point is to understand that the weather was not, according to this idea, one count of units, an amount of days, months and years. Rather, the time was often literally, which governs the cycles of the cosmos and that is emitted from a center they called Hunab Ku, "giver of movement and measure," which corresponds to the center of our galaxy . The movement is energy, and the measure is the principle of rhythm, which transform the energy variations in shapes and precede the subject.

That resonance of Hunab Ku is expanding in all directions and is transmitted through the different star systems, which could be interpreted as lenses of a communication channel, so that the frequencies are adapted and broadcast by suns planetary fields. Ultimately, we would be the last lens of the system.

Accordingly, the essence of the universe is information, and the ultimate goal is that each system is synchronized with the frequency emitted by the source in order to establish the cosmic harmony. This is what Westerners have called the "music of the spheres" that spoke to the Greeks.

As to the matter, it represents the different tones, sustained frequencies, which can take the vibrational energy. So, all being composed of different wave structures is often possible to translate in mathematical terms. In this way, and arrived at the key point, the Mayan numbers would not be the representation of numbers, but the representation of tones. And these numbers, or tones, thus would not have a sequential relationship with each other, ie, 2 is more than 1, 3 is more than 2,., And their sum would not be an accumulation of quantities, but qualities emerged to link tones among themselves.

The tzolkin, for all this, it would not be interpreted as an account, but as a mathematical matrix that defines the different cosmic frequencies. The thirteen existing numbers represent tones, somewhat like our musical octave (do, re, mi, fa, sol, A, B), and twenty rows represent the possibilities for each tone, which can take directional positions. All of which gives rise to 260 permutations.

Describe the galaxy as this, as a power circuit whose positions are described by the tzolkin. The time would be the movement of these flows, and have a fractal character. That is, unless it amounts shown, the fractality implies that what matters is the proportion. For example, 2 is to 1o so 20 is 100, or 36 º 36 º will be provided regardless of the size of the circle. This means that the tones described from the smallest cycle consists of days, kin, to the upper levels covering the great eras, arising from the grouping of lower cycles. As if ascendiéramos in the musical scale, the same 13 numbers resonate in different octaves, bringing different ranges of superior information. Thus, the 5200 tunes (a tun is close to our year) which represent the great galactic cycle (5125 years of our own) have a fractal relationship with 52, which is the wheel that governs the time a human level.

That great galactic cycle is 5125 years which ends December 22, 2012. What did the Mayans say this? The end of time, meaning "time" as the movement of energy flow, implies that the transition from one frequency to another. During that time, the Earth passes through one vibrational field of the galaxy, lightning cradle, and then enters another area affected by other frequency, causing the need for adjustments for all systems involved are in harmony with the new trend. This is what we might call "harmonic resonance".

To think about this, imagine a ray emanating from the galactic core. Imagine this is like the light beam of a lighthouse, the greater the distance, the wider the beam. Imagine a boat away in the sea passes through the beam. Although the boat and lightning are moving, there will be a time interval during which the boat is actually bathed in the light beam. This is true of spaceship Earth, as a boat passing through the galactic synchronization beam. From the perspective of the Mayan overtones, this beam has a diameter of 5,200 tun. This translates to approximately 5125 years in diameter land. (Source: The Mayan Factor)

We shall assume that the ideas of catastrophes and changes are due to the vibrational shift that would, according to the idea of ​​transmission through the lens, first the Sun, the Earth later, we finally.

And this was my attempt to summarize the ideas of Argüelles about the whole issue of 2012. The concepts of time and movement, the universe as information, the numbers as representations of power, etc.., They are still as close to the vortex theory that some mathematicians, Marko Rodin to the head, have been developing over the past decade and already discussed in a previous article.

Happy frequency change.